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United States / Guggenheim Fellows / African American literature / Harlem / New York / Harlem / New Negro / Langston Hughes / Zora Neale Hurston / Aaron Douglas / American literature / Harlem Renaissance / African-American culture


Toward the end of the 1920s, the NAACP journal, The Crisis, began to transform its “Poet’s Page” into a forum for white views of race, ranging from verses in the minstrel tradition to radical antiracist odes, often
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Document Date: 2013-09-03 16:53:26

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City

Bradford / New York / /

Currency

pence / /

MusicGroup

Renaissance / W. E. B. / /

NaturalFeature

Negro / /

Organization

Regiment of the American Expeditionary Forces / /

Person

Joel Spingarn / John Davis / Claude McKay / Ernestine Rose / Langston Hughes / Kevin Mumford / Paul Green / Arthur Spingarn / John Brown / Countée Cullen / Roark Bradford / Nancy Cunard / Max Eastman / Sherwood Anderson / John Lomax / Nella Larsen / Rose McClendon / Aaron Douglas / Alain Locke / Steven Watson / Charles S. Johnson / Carl Van Vechten / Mary McLeod Bethune / Zora Neale Hurston / Mary White Ovington / Edwin Embree / William Lloyd Garrison / Ann Douglas / Winold Reiss / Paul Robeson / Melville Herskovits / Franz Boas / Walter White / Wallace Thurman / Edna Barrett / Gwendolyn Bennett / Jessie Fauset / Richard Bruce Nugent / Susan Gubar / Marc Connelly / Amy Spingarn / George Schuyler / Anne There / Charles Gilpin / Grace Halsell / Charlotte Osgood Mason / Neill / Waldo Frank / /

Position

editor / artist / journalist / writer / Harlem librarian / Poet / midwife / Messenger / activist / /

PublishedMedium

the NAACP journal / /

Region

New England / /

SocialTag