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Special effects / New York Institute of Technology / Visual effects / Color space / RGBA color space / Alpha compositing / Digital compositing / Matte / Compositing / Film / Visual arts / Computer graphics


Alpha and the History of Digital Compositing Technical Memo 7 Alvy Ray Smith
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Document Date: 2011-05-13 15:34:50


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File Size: 41,84 KB

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City

London / /

Company

Lucasfilm Ltd. / Microsoft / /

Country

United States / /

Currency

USD / /

EntertainmentAwardEvent

Academy-Award / /

IndustryTerm

sub-pixel hidden surface algorithm / Pre-digital technology / part matte creation technology / Digital technology / printing / matte creation technology / classic film technology / physico-chemical process / output media / Digital film compositing technology / digital film printing / technology separate / chemical / creation technology / digital printing / film printing / precision scanning devices / digital compositing technology / /

Movie

Toy Story / Beauty and the Beast / The Lion King / Aladdin / Star Trek II / /

Organization

American Society of Cinematographers / Academy of Motion Picture Art and Sciences / Academy of Motion Picture Arts and Sciences / /

Person

Richard Edlund / David DiFrancesco / Gary Demos / Tom Duff / Tom Porter / Thus Porter / Thomas / Gary Starkweather / Dan Cameron / /

Position

King / compositor / Porter / winning special-effects director / /

PublishedMedium

Computer Graphics / /

Technology

Alpha / classic film technology / technology of digital film printing / digital compositing technology / laser / technology of digital film scanning / technology of composition / technology of matte creation / sub-pixel hidden surface algorithm / creation technology / Hidden-Surface Algorithm / part matte creation technology / technology of digital film compositing / matte creation technology / technology of pulling mattes / simulation / Digital film compositing technology / Pre-digital technology / compositing technology / technology of compositing / /

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