Gehry Partners / The Fate / Arte / Barré / Arts & Senior / /
Country
France / /
Facility
New York City Cecil Balmond Cecil Balmond Studio / University of Turin / University of Amiens / University of Cambridge / Turin University of Milan‐Bicocca / New York University / /
Organization
New York University / University of Milan / Yale School of Architecture / University of Amiens / London School of Economics / London / Centre for the Study of Global Governance / Ministry of Culture / Silvia Santagata Research Centre on the Economics of Culture / UNESCO House / UNESCO Steering Committee / University of Turin / Centre d’architecture Arc‐en‐Rêve / Law School / University of Cambridge / Ecole d'Architecture de Paris‐Belleville / United Nations Educational Scientific and Cultural Organization / /
Person
École Nationale Supérieure / Città dell / Wave Hill / Walter Santagata / Duisburg / Tony Cragg / Julie Guiyot‐Corteville Conservateur / Ariella Masboungi Architecte / Centre / Silvia Santagata / Milan Dani Karavan Artist Jack Persekian / Tokyo Doris Salcedo / Bandarin / Jennifer McGregor Cutting / Eisenman Architects / Paul Ardenne / Instituto Jaime Lerner / Vivien Lovell Founder / Caroline Cros Curator / Christoph Brockhaus / Paris Frank Gehry / Michelangelo Pistoletto / Dominique Lefebvre / Jean Louis Cohen Sheldon / Délégation / Opening Irina Bokova / Dani Karavan / Sharjah Biennale / Tadayasu Sakai Art Curator / Alessandra Donati Dean / Los Angeles Antoine Grumbach Architect / /
Position
Cambridge Director / Culture and Globalisation Programme / President / Architect / Minister / Professor of Architecture / Architect / Professor / Professor of History of Architecture / chef / Assistant Director‐General / de Saint Pierre Maître‐assistant / Director‐General / Professor in Practice / Artist / en chef du patrimoine Author and artist / Director / Professor of Social Anthropology / Director / Modus Operandi Art Consultants / curator / Director of Arts & Senior / Professor / Assistant Director‐General for Culture / /
Microsoft Word - The Fate of Public Art 9 March 11_rev_EO.doc