Perth / Brisbane / Marrickville / Sydney / Canberra / Berlin / Beijing / /
Company
ABC / Kohler / /
Country
South Africa / Indonesia / United States / Australia / United Kingdom / /
Facility
The opera Project / Casula Powerhouse / /
IndustryTerm
media works / /
Organization
Austria’s Ars Electronica Centre / Australia Council / Arafura Ensemble / British Council / Development & Advocacy Division / Electronic Writing Ensemble / Elision Ensemble / /
Person
Philip Samartzis / Martine Corompt / Jim Potts / Sue Healey / Boris Kelly / John Tonkin / Richard Murphet / Keith Gallasch / Johannes Sistermanns / Marie Ngai-King / Gillian Leahy / Virginia Baxter / Margaret Cameron / Richard Barrett / Brett Sheehy / Mary Morris / Craig Andrae / Jenny Kemp / Katie Moore / Josephine Wilson / Leisa Shelton / Pam Kleemann / Fred Lang / Jane Mills / Adrian Martin / Merlinda Bobis / Crow / Philip Rolfe / Rachel Perkins / Andrew Petrusevics / Linda Sproul / Deborah Pollard / Colin Bright / Robyn Stacey / Tony Osborne / Sally Sussman / Suzanne Treister / Louise Haselton / Vahid Vahed / Gil Appleton / Anton Hart / David Wilson / Alain Platel / David Caesar / Ian Haig / Matthew Ngui / Russell Dumas / Jon Rose / Philip Brophy / Sandy Edwards / Jane Campion / Joy Hardman / Trevor Patrick / Leigh Warren / Jay Younger / Erin Hefferon / Regina Heilmann / Craig Walsh / Amanda Stewart / Robyn Archer / Garry Stewart / Gabriel Gbadamosi / Erin Heffron / Meryl Tankard / /
| 28 | RT61 JUNE / JULY 04 I have only recently understood this— that to work is to participate. RealTime has really worked hasn’t it.