York / Dublin / Birmingham / Bradford / Heywood / Halifax / Manchester / Oldham / Glasgow / London / Durham / /
Company
Hawkes and Son / Russell / Beamish Co. / Popular Music / /
Country
Belgium / United Kingdom / Scotland / Wales / /
Currency
GBP / /
Facility
Library of The North / South Shields Public Library / Italian opera / England Open Air Museum / Repertory Evidence / Keighley Concertina Band’s repertory / Mechanic’s Institute / Edinburgh University of Collection / Opera Precioso Washington Greys Hallelujah Chorus Alpine Rose / Plant Life Records / Crystal Palace / /
IndustryTerm
musical instrument technology / advertising list / /
MusicGroup
Woods / of the Opera / Cleckheaton and Low Moor / Liner / Wyke and Low Moor Model / The Life and Times / /
Organization
Northumberland and Durham Concertina Club / Mechanic’s Institute / Brass Band Movement / Salvation Army / Roman Catholic Church / The Ashtonunder-Lyne Concertina Band / Edinburgh University of Collection of Historic Musical Instruments / Orange Movement in Liverpool / /
Person
Oliver Herzer / Tony Kell / Neil Wayne / Milton Keynes / Nigel Pickles / Brooke Graffula Handel Rimmer Sullivan / Talbot H Sullivan Craig Mozart / Steve Wood / Henry Stanley / Aubrey Winter / Belle Vue / Trevor Bands / Paul Linake / David Galloway / James Ash / Ashton English Concertina Band / /
Position
seater coach / cornet player / composer / Premier / player / flautist / King / singer / The War Correspondent / member / /
PublishedMedium
Barnsley Chronicle / The Brass Band News / Albion / /
8 Concertina Bands Introduction The late nineteenth century saw the emergence of many new forms of organised working-class music making including bands, orchestras and choirs. The most widespread and enduring of the inst