Taipei / Paris / Oxford / Tokyo / Kyoto / Calcutta / Pergamon / Antioch / Berlin / Rome / Beijing / Alexandria / Frankfurt / London / /
Company
Urs / /
Continent
America / Europe / /
Country
Egypt / Japan / Macau / United Kingdom / China / Scotland / Tibet / India / Taiwan / Germany / Italy / Mexico / Spain / Greece / /
Event
Person Travel / /
Facility
University of Naples / Trinity College / /
IndustryTerm
word processor / online journal / cultural technology / law texts / natural law / /
MusicGroup
Ossian / Ancient / /
NaturalFeature
Rhine / /
Organization
Peking University / Trinity College / University of Naples / Harvard / UN Court / Drang / /
Person
Motoori Norinaga / Giovanni B. Vico / Vaclav Blažek / Northrop Frye / Thomas Berry / Wilhelm Grimm / Harold Bloom / Jacob Grimm / John Malalas (Malachas) / Walter Scott / Edward Said / Robert E. Frykenberg / K. F. Geldner / Different / Friedrich Schlegel / William Knight / Max Müller / Robert Anton Wilson / James Burnett / G.W. Leibniz / Abraham-Hyacinthe Anquetil Duperron / Karl Marx / Robert Wood / Samuel Beckett / Bernard S. Cohn / James Joyce / Henry Thomas Colebrooke / Joel Berry / Richard Bentley / Marshall McLuhan / Zhang Yuan / William Jones / Alexander Hamilton / Samuel Taylor Coleridge / Kevin Chang / Shem / Napoleon / Johann Gottfried Herder / John Dryden / Frederick II / Dara Shikoh / William Butler Yeats / Bertrand Russell / Matteo Ricci / Wilhelm von Humboldt / Jean Jacques Rousseau / Michael Witzel / Franz Bopp / Johann Joachim Winckelmann / Wilfred Strabo / /
Position
colonial judge / alleged author / first modern historian / author / king / word processor / professor of rhetoric / one of the founders / poet / emperor / prince / judge / /
ProvinceOrState
Bali / Goa / /
Region
Central Asia / Central Europe / Eastern Europe / /
Technology
html / technology of colonial rule / cultural technology / word processor / /
Textual criticism in Indology and in European philology during the 19th and 20th centuries By Michael Witzel §1. Introduction: textual criticism §1.1. Renaissance and Classicism