Stanford Graduate Summer Institute / Studio Ghibli / GRADUATE STUDIES OF STANFORD UNIVERSITY / /
IndustryTerm
spectral energy distribution / machinery / /
Organization
Department of Music / CCRMA / Stanford Graduate Summer Institute / France-Stanford Center / AES Education Foundation / American Standards Association / STANFORD UNIVERSITY / /
Person
Jonathan Berger / Lee / Mario Champagne / Debbie Barney / John Chowning / William Markham / Grace Leslie / Chuck Cooper / Joseph Skoda / Atsushi Marui / Stephen Sano / Julius O. Smith / Jim Beauchamp / Carr Wilkerson / Jessica Moraleda / Akio Ando / Eleanor Selfridge-Field / Andrew Horner / Dan Levitin / Shihab Shamma / Al Bregman / Patty Huang / Kentaro Ishizuka / Takafumi Hikichi / Pat Hanrahan / Robert Erickson / Pauline Oliveros / Stephen McAdams / Veronique Larcher / Alexander John Ellis / Stefania Serafin / Dan Ellis / Fernando Lopez-Lezcano / Peter Wang / Jonathan Abel / Donald Keene / Evelyne Gayou / Mika Ito / Thomas Rossing / Shuji Inoue / Julia Bleakney / Malcolm Slaney / Chris Chafe / Jean-Claude Risset / Max Mathews / Matsuo Basho / Tricia Schroeter / Blair Bohannan / Isao Nakamura / Jon Appleton / Naotoshi Osaka / Michael Gurevich / Marjorie Mathews / Tomoko Yonezawa / Masaki Kubo / Nette Worthy / Antoine Chaigne / Sarah Paden / Jay Kadis / Sasha Leitman / Hirotake Yamazoe / Xavier Rodet / Diana Deutsch / Jean-Julien Aucturier / /
Position
advisor / advisors / Poet / promising model for density perception / poet / sound engineer / /
A HYBRID MODEL FOR TIMBRE PERCEPTION: QUANTITATIVE REPRESENTATIONS OF SOUND COLOR AND DENSITY A DISSERTATION SUBMITTED TO THE DEPARTMENT OF MUSIC AND THE COMMITTEE ON GRADUATE STUDIES