Knowledge Based Systems / Adobe / MIT Press / Harvester Press / Google / Creative Language System Group / Baars / Case / Digital Music / the Guardian / /
Country
Afghanistan / United Kingdom / / /
Event
Reorganization / /
Facility
Imperial College / City University / University of London / TPTP library / /
IndustryTerm
creativity support tools / learning systems / search term / creative systems / affective computing / automated theorem proving systems / machinery / generative software / creative software / generative systems / computational systems / linguistic creativity tools / software acting / collaborative creative technologies / web resources / automated reasoning tools / hybrid systems / evolutionary applications / /
NaturalFeature
Staten Island / /
Organization
Computational Creativity Conference Steering Committee / MIT / School of Electronic Engineering and Computer Science / Department of Computing / Imperial College / Centre for Digital Music / City University / London / University of London / /
Person
Integer Sequences / Mind / Harold Cohen / Tony Veale / Margaret Boden / Alan Turing / Kemal Ebcioˇglu / Bruce Buchanan / Mary / Claude Shannon / Geoffrey Jefferson / /
Position
The Painting Fool computer artist / Queen / poet / forward for Computational Creativity research / automated poet for not exhibiting any imaginative behaviours / engineer / advocate / author / poet at all / artist / generative poet / art dealer / local chair / Professor of Computational Creativity / curator / programmer / /
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C / /
PublishedMedium
the Guardian / the AI Magazine / Music Perception / British Medical Journal / Communications of the ACM / Journal of Symbolic Computation / /
Computational Creativity: The Final Frontier? Simon Colton1 and Geraint A. Wiggins2 Abstract. Notions relating to computational systems exhibiting creative behaviours have been explored since the very early days of compu