<--- Back to Details
First PageDocument Content
Culture jamming / Underground culture / Situationist International / Modernism / Situationists / Psychogeography / Glowlab / Guy Debord / Locative media / Social philosophy / Modern art / Culture
Date: 2007-05-26 14:33:46
Culture jamming
Underground culture
Situationist International
Modernism
Situationists
Psychogeography
Glowlab
Guy Debord
Locative media
Social philosophy
Modern art
Culture

Design Institute: knowledgeCircuit http://design.umn.edu/go/knowledgeCircuit/current.kc06.conflux KNOWLEDGE CIRCUIT font size

Add to Reading List

Source URL: www.softhook.com

Download Document from Source Website

File Size: 144,74 KB

Share Document on Facebook

Similar Documents

Correspondence with a film programmer concerning a screening of Guy Debord’s In girum imus nocte et consumimur igni On 14 February 2017, Bill Not Bored was contacted by Steve Macfarlane, who identified himself as “a

Correspondence with a film programmer concerning a screening of Guy Debord’s In girum imus nocte et consumimur igni On 14 February 2017, Bill Not Bored was contacted by Steve Macfarlane, who identified himself as “a

DocID: 1uZqf - View Document

Revista Observaciones Filosóficas  1 La Sociedad del Espectáculo Guy Debord (1967)

Revista Observaciones Filosóficas 1 La Sociedad del Espectáculo Guy Debord (1967)

DocID: 1sUM6 - View Document

	  
 by Guy Debord  Table of Contents:

       by Guy Debord Table of Contents:

DocID: 1pgLo - View Document

Interdisciplinary Review for the Humanities Systemic insecurity, spectacular violence: Bret Easton Ellis’ Glamorama. Klöckner, Christian. estrema: Interdisciplinary Review for the Humanities 5 [ FallSpecial

Interdisciplinary Review for the Humanities Systemic insecurity, spectacular violence: Bret Easton Ellis’ Glamorama. Klöckner, Christian. estrema: Interdisciplinary Review for the Humanities 5 [ FallSpecial

DocID: 1oJGq - View Document

The Society of the Spectacle Guy Debord (1967) Chapter 1 The Culmination of Separation “But for the present age, which prefers the sign to the thing signified, the copy to the original, representation to reality, appe

The Society of the Spectacle Guy Debord (1967) Chapter 1 The Culmination of Separation “But for the present age, which prefers the sign to the thing signified, the copy to the original, representation to reality, appe

DocID: 1oitm - View Document