Geneva / TEAM GALLERY / Guggenheim / Gijón / New York / PARIS / Washington / D.C. / Atlanta / BEIJING / Los Angeles / London / New York City / /
Company
Super Mario Bros. / C-Monster.net / Sun Microsystems / Harun Farocki / Coca-Cola / Nintendo / The Star / Atari / BAST / /
Country
Germany / Spain / /
Currency
USD / /
Event
M&A / /
Facility
Postmasters Gallery / Times Square / Georgia Institute of Technology / Museum of Modern Art / COURTESY WHITNEY MUSEUM OF AMERICAN ART / High Museum / Tiananmen Square / Smithsonian American Art Museum / Dartmouth College / Massachusetts Institute of Technology / Whitney Museum / Massachusetts College of Art / San Jose State University / /
IndustryTerm
mass-market product / software system / video-game technology / online multiplayer game / oil commodities / game software / 90s-style Internet graphics / online argument / online game / online multi-user worlds / /
MusicGroup
New York / /
Organization
Red Army / Massachusetts College of Art and Design in Boston / Massachusetts Institute of Technology / ARTnews Renaissance Society in Chicago / Dartmouth College / Georgia Institute of Technology / Nationalist Army / London School of Economics / Communist Army / San Jose State University / Smithsonian / /
Person
Whitney Biennial / Guy Bartschi / Magdalena Sawon / Mary Flanagan / Chris Melissinos / Feng I Mengbo / Mark Essen / Brody Condon / Mao Zedong / MATTHEW SEPTIMUS / Jonatan Söderström / Jesús Rodríguez / Klaus Biesenbach / Daniel Beunza / Christiane Paul / Hans Bernhard / Eddo Stern / Cory Arcangel / CAROLINA A. MIRANDA / Michel Foucault / LISSON GALLERY / Ian Bogost / Lizvlx Bernhard / Paul Steen / Jon Thomson / Jorge Luis Borges / Natalie Bookchin / Alison Craighead / /
ARTnews A P R I L[removed]Artists are designing or adapting video games to comment on politics, art, and games themselves BY CAROLINA A. MIRANDA