by-product / advertising media / digital technology / primitive digital audio technology / digital media artefacts / reproductive media / media substrate / media saturation / media art / media artefacts / mainstream software / sound systems / media vox / recombinant media strategies / real time / mixer/processor / web-based digital art / media player / chemical / optical/chemical / software application / /
MusicAlbum
I am Sitting in a Room / /
Organization
Prague School / Massachusetts Institute of Technology / /
Person
Mitchell Whitelaw / Walter Benjamin / Alvin Lucier / Scott Horscroft / Steve Reich / Lev Manovich / John Cage / Clement Greenberg / Felix Guattari / Stephen Heath / Agnes Martin / Susan Sontag / Kim Cascone / Peter Wollen / Rosalind Krauss / /
Position
author / post-digital artist / composer / artist / artist/critic/historian / speaker / performer/composer / media artist / modernist artist / avant-garde artist / /
ProvinceOrState
Massachusetts / /
PublishedMedium
Computer Music Journal / /
Technology
technology of reproductive media / ascii / computers processors / primitive digital audio technology / Flash / /
Post-digital Aesthetics and the return to Modernism What is it that constitutes (a) post-digital art, and how can it be thought in terms of aesthetic theory – or even post-aesthetic theory? In one sense, post-digital1