University of New South Wales / KNOX ART GALLERY / University of Oregon / METROPOLITAN MUSEUM OF ART / University College London / Museum of Modern Art / University of Sydney / By Richard P. Taylor Chaos NATIONAL GALLERY OF AUSTRALIA / Washington State University / MUSEUM OF MODERN ART AND HANS NAMUTH / MUSEUM OF MODERN ART/LICENSED BY SCALA/ART RESOURCE / University of Wisconsin / /
IndustryTerm
paint containers / semiconductor devices / paint / natural systems / nature paint / oil / image-processing techniques / aluminum paint / vinyl paint / dense web / dense fractal web / household paint / physical systems / /
Organization
University of Oregon / University College London / University of Sydney / Washington State University / University of New South Wales / POLLOCK-KRASNER FOUNDATION / POLLOCKKRASNER FOUNDATION/ARTISTS RIGHTS SOCIETY / Manchester School of Art in England / POLLOCK-KRASNER FOUNDATION/ARTISTS RIGHTS SOCIETY / University of Wisconsin / /
Person
P. Taylor Chaos / Kirk Varnedoe / David Jonas / Branka Spehar / Colin Clifford / Autumn Rhythm / Adam Micolich / Vol / PAUL FALKENBERG / ALICIA CALLE / Lee Krasner / Richard P. Taylor / Clifford A. Pickover / Ted P. Martin / Deborah J. Aks / James A. Wise / Benoit Mandelbrot / James Gleick / HANS NAMUTH / Ben Newell / Julien C. Sprott / /
Position
psychologist / Architect / Scientist / AUTHOR / physicist / professor of physics / artist / head of the condensed-matter physics department / physicist / I painted abstract art / /
Product
lines / /
ProvinceOrState
Wisconsin / Oregon / New York / New South Wales / /
PublishedMedium
New Scientist / SCIENTIFIC AMERICAN / Life and Work / the Manchester School / /
Order in Pollock’s Computer analysis is helping to explain the appeal of Jackson Pollock’s paintings. The artist’s famous