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Music / Experimental composers / John Chowning / Computer music / Frequency modulation synthesis / Digital synthesizer / Electronic music / Synthesizer / Max Mathews


Industrial and Corporate Change, Volume 14, Number 1, pp. 93–118 doi:icc/dth045 Advance Access published January 24, 2005 Cacophony or harmony? Multivocal logics and technology licensing by the Stanford
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Document Date: 2015-02-06 01:48:51


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