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Richard Wagner / Romanticism / 19th-century theatre / Bayreuth / Tristan und Isolde / Parsifal / Bayreuth Festspielhaus / Aeschylus / Bayreuth Festival / Music / Classical music / Operas


The essay is an adjusted version of part of section 31 of The Classical Tradition: Art, Literature, Thought, co-written by Michael Silk, Ingo Gildenhard, and Rosemary Barrow, and recently published by Wiley-Blackwell (20
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Document Date: 2014-05-19 07:46:19

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City

Dresden / Leipzig / Paris / Nuremberg / Zurich / /

Continent

Europe / /

Country

Switzerland / France / Greece / Germany / /

Event

Person Travel / Judicial Event / /

Facility

Dresden court / French opera / /

IndustryTerm

digital technology / father-in-law / /

NaturalFeature

Rhine / /

Organization

Basel / /

Person

Puccini / Jesus / George Bernard Shaw / Piscator / Tristan / Liszt / Richard Wagner / Bismarck / Bayreuth / Ludwig Feuerbach / Ludwig II / Johann Gustav Droysen / Gottfried Semper / Schopenhauer / Thomas Mann / Isolde / Cosima Wagner / Apollo / Karl Marx / Meyerbeer / Rosemary Barrow / Michael Silk / Ingo Gildenhard / /

Position

theatre director / composer / future composer / poet / proverbial struggling composer / Chancellor / modern artist / Professor of Classical Philology / modern musician / King / artist / second conductor at the Dresden court opera / representative / /

ProvinceOrState

Bavaria / /

PublishedMedium

Classical Philology / /

URL

http /

SocialTag