Madrid / Istanbul / Nicosia / Sofia / Kerynia / Vatican City / Washington DC / Budapest / Liverpool / Carthage / Antioch / Leipzig / New York / Bucharest / Paris / Stockholm / Oxford / Athens / Berlin / Munich / Rome / Stuttgart / Alexandria / Washington / Vienna / İstanbul / London / Naples / St Petersburg / Florence / /
Company
Brown / Mediolanum / Die Welt / /
Continent
Africa / Europe / /
Country
Romania / Hungary / Netherlands / Bulgaria / Cyprus / Egypt / France / Syria / /
Currency
DOP / /
Facility
Metropolitan Museum of Art / Kunsthistorisches Museum / Hungarian National Museum / British Museum / San Vitale / Museum Benaki Athen / Freer Gallery of Art / Benaki Museum / Cyprus Museum / Hagia Sophia / Archaeological Museum / /
IndustryTerm
cement cloisonné / state-controlled precious metal goods / /
NaturalFeature
Abuqir Bay / /
Organization
Oxford Center for Maritime Archaeology / army / UN Court / Roman Army / Consulate of Honorius / /
Person
Bertha Segall / Garnet Jewellery / Nat / Roman Art II / Theodora / Diego Carlström / C. Neira Faleiro / Christian Art / Maria Maggiore / Justin II / Leo III / Constantine IV / Neira Faleiro / /
Position
Pharaoh / emperor / Advocate and Chancellor / Empress / military official / /
ProvinceOrState
Antique / Sicily / Sardinia / New York / Kerynia / /
The Evidence for Jewellery Production in Constantinople in the Early Byzantine Period Yvonne Stolz Introduction In the jewellery catalogue of the Benaki Museum in Athens, Bertha Segall stated: ‘Die Mode scheint damals