Munich / Houston / Amsterdam / Essen / Tel Aviv / Lyon / of Modern Art / New York / VAGA / /
Company
TEXTURE G LOSS BA S E CO / L. S. Starrett Company / Leonar / Eastman Kodak Company / Sony / Kodak Co. / /
Country
Germany / /
Event
M&A / /
Facility
Tilburg University / Worcester Polytechnic Institute / The Museum of Modern Art / University of Wisconsin / Museum of Fine Arts / Center For Creative Photography / Museum Folkwang / /
IndustryTerm
manufacturing changes / microscopy-based imaging system / /
Movie
MoMA and the MFAH / /
Organization
Man Fund / Center For Creative Photography / Max Burchartz/Artists Rights Society / Worcester Polytechnic Institute / Arizona Board of Regents / Tilburg University / Prospero Foundation / Paul Citroën/Artist Rights Society / International Commission on Illumination / University of Wisconsin / /
Person
Paul Citroën / Helmar Lerski / Theodore Roszak Untitled / Marianne Breslauer / Max Burchartz / Theodore Roszak / Louise Stude Sarofim / Franz Roh / Edmund Collein Heinz Loew / Shirley C. Burden / Harry Reasoner / Thomas Walther / Max Burchartz Lotte / Frederick Sommer / Peter Norton / Paul Citroen / Manfred Heiting / Marjorie Gestring / Franz Roh Fotogramm / Edmund Collein Heinz Loew Lowe / Ursula Kirsten-Collein / /
Position
author / photographer / working darkroom photographer / High Diver / /
Image Isn’t Everything: Revealing Affinities across Collections through the Language of the Photographic Print Paul Messier A photograph is more than an image. Paper, the physical material of the photographer, plays a