Hollywood cinema / The Atomic Cafe / camp Commandant Konrad Alfred Gemmeker / /
IndustryTerm
appropriate software / on-line presence / gas chambers / democratized filmmaking tools / on-line phenomenon / mass media / professionalstandard editing software / Internet age / /
Movie
Rose Hobart / Night and Fog / Histoire(s) du Cinéma / Standard Operating Procedure / The Blair Witch Project / Man with a Movie Camera / Here / /
NaturalFeature
Michael Bay / /
Organization
Cornell / United States Army / /
Person
Peter Delpeut / Siegfried Kracauer / Steven Spielberg / Brian de Palma / Joshua Oppenheimer / Jean Epstein / Joseph Cornell / Jean-Luc Godard / Stanley Cavell / Alain Resnais / George Lucas / Christian Marclay / André Bazin / Oren Peli / Dara Birnbaum / Bob Dylan / George Melford / Fiona Tan / Harun Farocki / Jayne Loader / Thomas Elsaesser / Chris Marker / Pierce Rafferty / Eduardo Sánchez / Vincent Monnikendam / Rudolf Breslauer / Yasujiro Ozu / Kevin Rafferty / Michael Bay / Stanley Kubrick / Eric Lott / Catherine Russell / Bruce Conner / Craig Baldwin / Daniel Myrick / /
Position
cameraman / Nazi officer / player / producer / Facing Forward / actress / author / artist / director / SS-guard / author and director / /
Keynote Recycled Cinema Symposium DOKU.ARTS 2014 The Ethics of Appropriation: Found Footage between Archive and Internet © Thomas Elsaesser, 2014 Appropriation as Spectatorship Appropriation is a varied concept, and it