Minneapolis / Halifax / New York / Kingston / Berlin / Vancouver / Cambridge / Toronto / Miami / London / /
Company
Tate Publishing / New York Times Sunday Review / MIT Press / Sternberg Press / RCA / Siglio Press / Northwestern University Press / Stanford University Press / /
Facility
Royal College of Art / Vancouver Public Library / Dalhousie Art Gallery / Vancouver Art Gallery / Power Plant / /
IndustryTerm
telephone project / social networks / optical and personal electronic devices / representational systems / /
Organization
MIT / Northwestern University / Art Center / Royal College of Art / Stanford University / Stanford / /
Person
Antonia Hirsch Antonia Hirsch / Eugene Thacker / Ray Brassier / Elizabeth S. Goodstein / Juan A. Gaitàn / Lisa Robertson / Candice Hopkins / Laurel Ptak / Lawrence Rinder / Melanie Gilligan / Agnes Etherington / Sarah E. K. Smith / Daniel Heller Roazen / Monika Szewczyk / Kari Conte / Maxwell / Jonathan Crary / Lorna Brown / Nicola Masciandaro / André Padoux / Patricia Reed / Jan Verwoert / Arnaud Maillet / Franck André Jamme / Adam Smith / Erwin Panofsky / Janine Marchessault / August Strindberg / Kathleen Ritter / Francois Laruelle / Jonathan Reisman / Marysia Lewandowska / Gregory Burke / Quentin Meillassoux / Alexander Galloway / Antonia Hirsch / Olaf Nicolai / Dalton Trumbo / Maurice Merleau-Ponty / William Gibson / Heather Anderson / Evan Snider / Alain Badiou / Kristy Roberston / Antonia Hirsch Jan Allen / Lisa Marei Schmidt / Jesse McKee / Florence Ostende / Oliver Leistert / /
Position
photographer / writer / painter / photographer / Artist / Bodies That Guard / /
Annotated Bibliography Publications on the work of Antonia Hirsch Jan Allen, Kristy Roberston and Sarah E. K. Smith, Sorting Daemons: Art, Surveillance Regimes and Social Control (Kingston: Agnes Etherington Art Center,