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Educational psychology / Aesthetics / Mind / Art / Interaction design / Architecture / Creativity / Taiwanese Hokkien / DIY culture / Design / Craft


Crafting Quality in Design: Integrity, Creativity, and Public Sensibility
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Document Date: 2012-09-20 09:56:46


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MIT Press / Ogden / Yale University Press / Skype / Ethnos / ACM Press / Taylor A.S. / Adobe Photoshop / /

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University Bloomington / Museum of Fine Arts Boston / Smithsonian Institute / National Taiwan Craft Research and Development Institute / Taichung Culture Center / /

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tangible and embodied computing / human-manipulated metal / technology development / elite professional networks / creativity software / hand tools / search team / graphics software / human engagement digital products / final product / networked information systems / broken technology / creativity support software / workmanship with digital tools / rhetorical devices / metal techniques / leisure technologies / metal wire brush / information communication technologies / dangerous chemicals / online activity / /

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Taiwanese Council for Cultural Affairs / Daniela K. Rosner School / National Science Foundation / MIT / Taiwanese government / UC Berkeley / American Craft Council / Chiang Ching-Kuo Foundation / Indiana University / Yale University / National Taiwan Craft Research and Development Institute / Taiwan Craftsman Guild / Smithsonian Institute / Taiwan Life Aesthetic Movement / Taichung Culture Center / /

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Like Jill / Henrietta / Ma Yu-xiu / Tim Ingold / F. Churchill / Interviewee Ling Jeng-yi / Morgan Kaufmann / Chen Jing-lin / Masters Ma / Ling Jeng-yi / Laura / Lin Gualong / Huang Li-shu / Jeffrey Bardzell Informatics / /

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technology / /

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New Jersey / Guizhou / Indiana / New York / Yunnan / California / /

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Electronic Products / /

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northern Taiwan / central Taiwan / /

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Information Technologies / P. Technology / leisure technologies / workmanship with digital tools / digital video / Communication Technologies / information communication technologies / /

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