Moscow / Paris / Milan / Copenhagen / London / Ufa / /
Company
Let / Marquis de Cuevas Company / Sadler’s Wells Ballet Company / /
Country
Russia / /
Event
Person Travel / Judicial Event / Person Communication and Meetings / /
Facility
New York City Opera / Royal Opera / Royal Opera House / Opera Ballet / /
IndustryTerm
boundless energy / food / /
NaturalFeature
Swan Lake / /
Organization
Royal Opera House / New York City Ballet / Royal Ballet / Kirov Ballet / KGB / New York City Opera / Royal Opera / Paris Opera Ballet / Vaganova School in St Petersburg / communist party / /
Person
Jiri Kilian / Kenneth Macmillan / Violette Verdy / Constantin Sergeyev / Georg Solti / Margot Fonteyn Rudolf / Marius Petipa / Roland Petit / Natasha Doudinskaya / Paul Taylor / Alexander Pushkin / Martha Graham / Margot Fonteyn / Lincoln Kirstein / Vera Volkova / George Balanchine / Siegfried / Hans van Manen / Frederick Ashton / Richard Strauss / Ninette de Valois / RUDOLF NUREYEV / John Gilpin / /
Position
rare artist / young and talented dancer / serious dancer / great dancer and member / choreographer / astonishing dancer / representative / successful and fulfilled artist / totally untried dancer / great original choreographer / co-founder / inhibited dancer / dancer / charismatic dancer / becoming director / great teacher / Prince / teacher / assistant director / artist / director / company director / Director of the opera and the defection of Rudolf Nureyev / Artistic Director / Music Director / artistic director / a fine former dancer / /
RUDOLF NUREYEV’S INFLUENCE ON THE DEVELOPMENT OF BALLET IN THE WEST 1961 was eventful and significant in the post war history of the Royal Opera House and its two principal companies, the Royal Opera and the Royal Ball