Germany / Italy / France / Russia / United Kingdom / /
Currency
GBP / /
Event
Movie Release / Business Partnership / /
Facility
Royal Naval College / European cinema / Ken Annakin’s Holiday Camp / British cinema / /
IndustryTerm
mining / electricity undertakings / /
Movie
The Way to the Stars / Pushkin / The Wicked Lady / The Winslow Boy / Passport to Pimlico / The Overlanders / The Battleship Potemkin / Fires Were Started / No Limit / They Made Me a Fugitive / Turn of the Tide / French Without Tears / Dead of Night / The Titfield Thunderbolt / Sing as We Go / Campane a Martello / Children of Chance / The Queen of Spades / Fanny by Gaslight / Holiday Camp / Nicholas Nickleby / The Bells Go Down / Close Up / The Man in the White Suit / The Browning Version / /
MusicGroup
American / the Stars / The Way / /
Organization
London Film Society / Isle of Man TT / Communist Party / Allied administration / Royal Naval College / /
Person
Maurice Elvey / John Baxter / Walter Ruttmann / Terence Rattigan / John Grierson / Jack Warner / Herbert Wilcox / Thorold Dickinson / Andrew Higson / Michael Balcon / Henry Cornelius / Julia Margaret Cameron / Bernard Miles / Sergei Eisenstein / W. H. Auden / Charles Frend / Bill Brandt / Leslie Arliss / Pat Jackson / Hubert von Herkhomer / Philip Gillett / Cavalcanti / Filippo Del Guidice / Benjamin Britten / Anthony Asquith / J. Arthur Rank / Norman Walker / Basil Wright / Alexander Mackendrick / Charles Crichton / Paul Strand / Laurence Olivier / Luke Fildes / Basil Dean / Basil Dearden / Peter Ustinov / Humphrey Jennings / Gina Lollobrigida / Stanhope Forbes / Luigi Zampa / John Pudney / Edgar Anstey / E. M. Forster / Paul Rotha / Harry Watt / John Boulting / /
Capturing the true moment: realism in British cinema of the late 1940s, its antecedents and its legacy by Philip Gillett Realism is an apparently simple creed which aspires to capture everyday life on screen. Unpacking t