Dresden / New Delhi / Montreal / Ottawa / Paris / Oxford / The Hague / Victoria / London / Rio de Janeiro / /
Company
The New York Times / Thomson / Russell / The J Paul Getty Trust / National Museum of Australia / John Wiley & Sons / /
Country
Germany / Netherlands / United States / Australia / Canada / /
Currency
USD / / /
Event
M&A / Man-Made Disaster / /
Facility
Australian Institute / National Museum of Australia / the Netherlands National Museum of Ethnography / National Museum of Australia Bruce Ford* / British Museum / Albert Museum / Carnegie Mellon University Art Conservation Research Centre / Nicki Smith National Museum of Australia / Canadian Conservation Institute / At Louvre / National Library of Australia / Museum of Ethnology / the Netherlands National Museum / Montreal Museum of Fine Arts / American Institute / International Institute / National Library / National Library of Australia n.d. / Canadian Museum of Nature / Göteborg University / museum of Table / National Museum / /
IndustryTerm
logical solution / risk management / radiant energy / /
Organization
International Council of Museums / International Institute for Conservation / Collections Council of Australia Ltd. / Canadian Conservation Institute / AICCM / Göteborg University / American Institute for Conservation / Carnegie Mellon University Art Conservation Research Centre / Australian Institute for Conservation of Cultural Material / ICOM Committee for Conservation in Lyon / Committee for Conservation / ICOM Committee for Conservation in Rio de Janeiro / Collection Council of Australia / /
Person
Aboriginal Strait Islanders / Torres Strait Islanders / Paul Whitmore / Tim Padfield / Lindy Chamberlain Creighton / Bruce Ford / /
The development of a significance-based lighting framework at the National Museum of Australia Bruce Ford* and Nicki Smith National Museum of Australia, Canberra *corresponding author: