search engine analysis / mobile media devices / Internet swarming / Soundcloud / musical playback systems / legal online systems / transportation / Internet music clients / narrowcasts media sites / musical systems / non-musical technology / recommendation systems / browser software / music technology / music services / distinct systems / media providers / physical musical media / data mining / coffee chain / media types / online audiovisual material / music media reality / streaming music services / media formats / food / music sharing social media websites / online sharing / open protocols / web-based media / social media / programmable device / online communities / social media artists / online media / musical media / processor-based media / digital media / sonic app developer / online world / music technologies / Spotify / /
Organization
Faculty of Fine Arts / Research Institute / University of Porto / /
Person
Björk / Ridley Scott / Julio d’Escriván / Stephen King / Jacques Attali / Enrico Coniglio / Imogen Heap / Thor Magnusson Edited / Amanda Palmer / Jeff Noon / Monty Adkins / Pedro Tudela / Frank Ekeberg / Miguel Carvalhais / Thor Magnusson / Marc Behrens / Maile Colbert / Miguel Cardoso / Umberto Eco / Lady Gaga / Leandro Pisano / Ephraim Wegner / María Andueza / Francisco López / Pedro Tudela Published / /
Position
Messenger / composer / musician / and an instrument maker / artist / musician / /
Product
Apple iPod Touch Portable Audio Device / iPod / /
ProvinceOrState
Alaska / /
Technology
peer-to-peer / music technology / search engine / music technologies / mp3 / operating system / cellular telephone / artificial intelligence / increasingly open protocols / data mining / non-musical technology / DSP / /
Thor Magnusson From a Music Industry to Sound Industries Introduction Commodification has been an inherent aspect of music for many centuries. The aggregation of the diverse commodification practices could be described a