New York / Paris / The Hague / London / San Diego / /
Company
State University of New York Press / Cambridge University Press / MIT Press / Woman’s Press / Oxford University Press / Harvard University Press / Macmillan / John Wiley & Sons / /
Country
Italy / /
IndustryTerm
paint / /
Movie
Creativity in Context / /
Organization
Cambridge University / Harvard University / MIT / Culture and Person / State University of New York / Culture / Oxford University / /
Person
Martin Kemp / George Lakoff / Christine Battersby / Anthony Blunt / Berys Gaut / Keith Sawyer / Arthur Cropley / Mark A. Runco / David Jones / Paisley Livingston / James Hankins / James C. Kaufman / Henri Bergson / Elizabeth Gilbert / Michael J. B. Allen / Alfred A. Knopf / J. P. Guilford / David Bohm / Fantasia / Margaret Boden / George Dickie / Teresa M. Amabile / Robert J. Sternberg / Nicholas Wolterstorff / Kendall Walton / Karen Bardsley / Andy Goldsworthy / Andy Crouch / David Cropley / Robert W. Weisberg / Asher Lev / William Desmond / Lynn White / Denis Dutton / Nicholas Bourriaud / Simon Pleasance / Robert S. Albert / Michael Krausz / Arthur Danto / Platonic Theology / IV / Richard Florida / Steven R. Pritzker / Dayton Castleman / Marsilio Ficino / Chaim Potok / Étienne Gilson / /
Position
psychologist / poet / teacher / artist / painter / writer / contemporary sculptor / contemporary artist / art critic / /
Introduction Why a Theology of Creativity? The word creativity makes a late appearance in the English language.1 The modeling of human agency upon divine power, however, began at least during the fifteenth century.2 For