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Sculpture / Animators / William Kentridge / Printmaking / Drypoint / Kentridge / Henry Moore / Anthony Caro / Visual arts / British people / Members of the Order of Merit


The Washington Post In the galleries: A look at apartheid’s cruel costs Deborah Bell. “Nature Morte,” 2008, Drypoint. Edition of 40; on view at Robert Brown
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Document Date: 2014-10-07 16:29:59

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City

Baltimore / Arlington / /

Company

The Washington Post / /

Country

Scotland / South Africa / United States / /

Currency

USD / /

Facility

George Washington University Luther W. Brady Art Gallery / Anacostia Arts Center / Robert Brown Gallery / Progress Gallery / Luther W. Brady Art Gallery / /

IndustryTerm

color-field oil pastels / agricultural tools / rusted steel / acrylic paint / /

Organization

George Washington University / Anacostia Arts Center / /

Person

Eduardo Paolozzi / Artemis Herber Artisphere / Henry Moore / Reclining Form (Trewyn) / Table Piece (Plowshares) / Larry Lairson / Diane Victor / Deborah Bell / Barbara Hepworth / Artemis Herber / William Kentridge / Sculpture Anyone / Yvon Fleurival / Barry Flanagan / Mark Jenkins / Andrew Cohen / Roger Ballen / Molly Ruppert / Anne Marchand / Anthony Caro / Samuel Tefcon / Lynn Chadwick / Sondra Arkin / Luther W. Brady / /

/

Position

artist / sculptor / photographer / freelance writer / /

ProvinceOrState

Texas / /

URL

www.robertbrowngallery.com / www.gwu.edu/~bradyart / /

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