Seattle / Annecy / Baltimore / New York / Paris / Cambridge / Cape Town / London / /
Company
MIT Press / Norton / Johns Hopkins University Press / New Music / Visual Music Culture Visual Music / Color Music / Art Music / Visualised Music / Stein S. A. / Mechanical Music / Visual Music / /
Country
France / /
Event
Movie Release / /
Facility
Philosophy The University of Sydney Sydney / The Block Museum Northwestern University / Edith Cowan University / University of Washington Press / /
IndustryTerm
graphical computing / horizontal systems / graphics processing capacity / earliest interactive dance systems / multi-media work / portable and powerful computing / random access computing / computer software / projections systems / namely real-time algorithmic permutation / high-tech equipment / /
Movie
In the Cut / /
Organization
New York School / Technischen Universität Wien / MIT / Cornell / University of Sydney Sydney / Northwestern University / Johns Hopkins University / Edith Cowan University / Institut für Gestaltungs / Fluxus / Lindsay Vickery Western Australian Academy of Performing Arts / University of Washington Press / /
Person
George Crumb / Vladimir Baranoff Piano Optophonique / Mark Rothko / David Tudor / Maya Deren / Nam June Paik / Earle Brown / Whitney Sounds / Guido d'Arezzo / Stan VanDerBeek / John Cage / Cornelius Cardew / Harry Smith / Stan Brakhage / Joseph Cornell / James Five Film Exercises / Marion Boyars / Kenneth Anger / Calder Piece / Jackson Pollock / Oskar Fischinger Lumigraph / Thomas Wilfred Clavilux / Kate Maloney / Juta Academic / Loise-Bertrand Ocular Harpsichord / Roman Haubenstock-Ramati / Mark Batty / Hudson / Jordan Belson / Mauricio Kagel / Cat Hope / Morton Feldman / Alexander Calder / Aarseth / Lindsay Vickery / David Tudor Leonardo / Vibrato / /
Position
COMPOSER / Note Distorted Note player / play-head / trained musician / player / untrained musician / non-musician / /
ProvinceOrState
Maryland / Illinois / Washington / Massachusetts / /
PublishedMedium
The Musical Quarterly / the Avant Garde / World Magazine / /
The Aesthetics of the Screen-Score Cat Hope and Lindsay Vickery Western Australian Academy of Performing Arts, Edith Cowan University (of a traditional score), explorative (of a “mobile score”) or ‘Immanent’ in t