Dallas / North Adams / Cambridge / London / of Modern Art / New Haven / /
Company
The MIT Press / Yale University Press / Tate Gallery Publishing / Blackwell Publishing / Oxford University Press / The Belknap Press / The University of North Carolina Press / Harvard University Press / /
Facility
Dallas Museum of Art / Metropolitan Museum / Museum of Modern Art / The Museum of Modern Art / Chapel Hill / /
IndustryTerm
word processor / statistical accounting / online art / media art / fathomless product / online work / media studies / Internet connection / immersive visual technology / Internet art / reproducible media / online practices / Internet culture / Internet art looks / Online Clash / Web art / /
NaturalFeature
North Sea / /
Organization
Harvard University / MIT / University of North Carolina / Yale University / Vienna School / North Atlantic Treaty Organization / Intelligence of Art / Oxford University / Art's Agency / /
Person
Greg Sholette / Nato Thompson / Jeff Wall / James Elkins / Oliver Grau / Thomas Crow / Andreas Gursky / Hans Sedlmayer / Ernst Gombrich / Peter Stewart / Michael W. Jennings / Jon Ippolito / Roman Cult / Idols Cult / Rachel Greene / Gary Smith / Howard Eiland / Sylvie Fleury / Thomas Struth / Donald Preziosi / Hudson / Clement Greenberg / Peter Galassi / Gene Ray / Joline Blais / Martha Rosler / Allan Sekula / Alfred Gell / Julian Stallabrass / Rosalind Krauss / /
Position
anthropologist / word processor / photographer / /
Can Art History Digest Net Art? Julian Stallabrass From its beginnings, Internet art has had an uneven and conflicted relationship with the established art world. There was a point, at the height of the dot.com boom, whe