Bristol / Philadelphia / Brisbane / Warsaw / Liverpool / New York / /
Company
Australian Major Performing Arts Group / Digital Video Transfer Systems / Barbican / /
Continent
Europe / /
Country
Canada / United Kingdom / United States / / /
EntertainmentAwardEvent
CINE / /
Event
Business Partnership / /
Facility
University of British Columbia / Met Opera / Queensland Performing Arts Centre / University of Waterloo / ENGLISH TOURING OPERA / Bradley University / CASE OF OPERA / Metropolitan Opera / OPERA IN CINEMAS’ REPORT Karen Wise London / CASE OF THE OPERA / Institute of Electrical / Keywords opera / University of Central Florida / Keywords cinema / Keywords Barbican cinema / Barbican Cinema / /
IndustryTerm
digital technology / on-line viewing / media dramaturgy / internet-enabled devices / communication technology / online distribution / e-marketing / massive and real-time presence / channels media / creative technologies / social media platforms / theatre technology / Social media / Internet platforms / digital media platforms / social networks / Internet users / advantage in novel applications / pervasive media / media literacy / internet activities / internet systems / internet advertising / distributed computing / live performance technologies / inferior product / Internet-of-Things infrastructure / informational media / theater services / internet marketing / creative applications / online games / digital media / Internet technologies / digital theater services / together infrastructure solutions / electronic commerce / /
Movie
All's Well That Ends Well / The Adding Machine / ENO / /
Organization
Metropolitan Opera in New York / Bradley University / Institute of Electrical and Electronics Engineers / ENGLISH TOURING OPERA / Vienna Philharmonic Orchestra / Centre d’Informació / Queensland Performing Arts Centre / Met Opera / University of Waterloo / IN HD / Australian Research Council / Department of Theatre Arts and the Multimedia Program / Guildhall School of Music & Drama / University of Central Florida / MAJOR PERFORMING ARTS CENTRE / University of British Columbia / /
Person
David Throsby London / Pauline Brooks / Anna Garcia / Rahim Rahmani / Artur Serra / Iván Lacasa Mas / Jamie Walters / Luke Kahlich / David Sabel / Stephen Pollard / Isabel Villanueva Benito Arte / Gerhard Hauck / Vanessa Bellaar-Spruijt Ubiquity / Ted Boniface Ontario / Erik Geelhoed / Craig Thompson / Hasan Bakhshi / Robert Marshall / Debra Beattie / Eddie Paterson / Gary Porter / Elmer Rice / John Kotzas / Lara Stevens Australasian / Juan Mateos-Garcia / / /
Position
author / CEO / foundation producer / Porter / /
ProgrammingLanguage
php / /
ProvinceOrState
British Columbia / Queensland / /
PublishedMedium
the National / /
Region
Central Florida / /
SportsEvent
THE SUPER BOWL / Super Bowl / /
Technology
Internet technologies / communication technology / Keywords digital technology / Recording technology / pdf / live performance technologies / theatre technology / Digital TV / Keywords creative technologies / /
Bibliography ACQUIRING A DIGITAL AUDIENCE FOR THEATERS – LOOKING THROUGH THE LENSES OF CUSTOMER EQUITY AND EMPIRICAL RESEARCH Paweł Kossecki, Urszula Swierczyńska-Kaczor