<--- Back to Details
First PageDocument Content
Johannes Brahms / John Ireland / Arnold Schoenberg / Chamber music / Alan Rawsthorne / Music / Classical music / Musical groups
Date: 2013-09-30 09:46:22
Johannes Brahms
John Ireland
Arnold Schoenberg
Chamber music
Alan Rawsthorne
Music
Classical music
Musical groups

1 A P P R E N T I C E S H I P (1925–35) W H E N Rawsthorne entered the RMCM (which later became the Royal Northern College of Music), he studied cello with Carl Fuchs, composition with Dr Thomas Keighley (a notoriously

Add to Reading List

Source URL: fdslive.oup.com

Download Document from Source Website

File Size: 228,15 KB

Share Document on Facebook

Similar Documents

Hungarian Dance #5 Johannes Brahms Born: May 7, 1833 Died: April 3, 1897

Hungarian Dance #5 Johannes Brahms Born: May 7, 1833 Died: April 3, 1897

DocID: 1uWio - View Document

PROBENPLAN UNICHOR Sommersemester 2018 Ludwig van Beethoven: 9. Sinfonie, Op. 125 Johannes Brahms: Nänie, Op. 82 und Schicksalslied, Op. 54 Stand:

PROBENPLAN UNICHOR Sommersemester 2018 Ludwig van Beethoven: 9. Sinfonie, Op. 125 Johannes Brahms: Nänie, Op. 82 und Schicksalslied, Op. 54 Stand:

DocID: 1uk1U - View Document

Music Teacher’s Association of California San Mateo County Branch Newsletter September 2010 A friend of the great composer asked Brahms one day, “How was your day? What did you do today?”

Music Teacher’s Association of California San Mateo County Branch Newsletter September 2010 A friend of the great composer asked Brahms one day, “How was your day? What did you do today?”

DocID: 1rrao - View Document

Feature Article by Lynn René Bayley Stringing Along With Trio Voce As a critic, I have become so inured to piano trios and their recordings that at times it almost seems like the Endless Succession of the Cookie-Cutters

Feature Article by Lynn René Bayley Stringing Along With Trio Voce As a critic, I have become so inured to piano trios and their recordings that at times it almost seems like the Endless Succession of the Cookie-Cutters

DocID: 1r5yb - View Document

Á La Recherche du [cinq] Temps Perdu Few composers appear to suffer from terminal rhythmic rigidity to the extent of Johannes Brahms, but as is so often the case, this is due to a miscreant notation that purloins the fa

Á La Recherche du [cinq] Temps Perdu Few composers appear to suffer from terminal rhythmic rigidity to the extent of Johannes Brahms, but as is so often the case, this is due to a miscreant notation that purloins the fa

DocID: 1qdOd - View Document