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3 The Invention of the Concertina Introduction Having outlined the concertina’s place within the broad history of modern free-reed instruments, I now discuss in detail the circumstances surrounding its appearance and f
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Document Date: 2007-01-25 14:37:22


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City

Dublin / Poggendorf / New York / Gloucester / Paris / Oxford / Victoria / Cambridge / London / Edinburgh / /

Company

Pall / W. Smith Music Publishing / Wheatstone & Co. / Wheatstone William & Co. / Thomson / Studying Popular Music / Wheatstone and Co. / Traditional Music / 161 Briggs Asa / /

Country

Laos / United Kingdom / /

Facility

Albert Museum / Concertina Museum / University of Oxford / King’s College / Science Museum / /

IndustryTerm

free-reed products / musical applications / communication technology research / retail / obscure sound transmitting device / recorded experimental musical device / free-reed devices / electricity / /

MusicGroup

The Life and Times / /

NaturalFeature

British Isles / /

Organization

Royal Society of London / Physical Society / University of Oxford / King’s College / Royal Society / Royal Institution / /

Person

Terry Miller / Michael Faraday / J.S.C. Schweigger / William Wheatstone / Andrew Flutes / Edward Light / Brian Sir Charles / Stanley Sadie / Asa Briggs / Charles Wheatstone / C. Wheatstone / Jamie Croy / Stephen Chambers / Peter Kunsthanwerke / /

Position

tutor / Professor of Experimental Physics / teacher / King / Mechanic / /

PublishedMedium

Philosophical Transactions of the Royal Society / Annalen der Physik / /

Region

British Isles / /

Technology

sound board / /

SocialTag