Tripoli / Brisbane / Dubai / Paris / Danke / Tokyo / Campbelltown / Edinburgh / Beijing / /
Company
Community Partnerships / Aboriginal / Google / YouTube / /
Continent
Asia / /
Country
Germany / Cyprus / United Arab Emirates / New Zealand / Poland / Brazil / Syria / Australia / China / Lebanon / /
Event
Natural Disaster / Person Communication and Meetings / Person Travel / /
Facility
Collections Building / Tokyo’s Museum of Contemporary Art / Beijing National Stadium / Campbelltown Arts Centre / Milani Gallery / The Floating Eye Inter City Pavilion / Museum of Contemporary Art / /
IndustryTerm
multi-media installations / unemployed travel / language / /
NaturalFeature
Cockatoo Island / /
Organization
Sherman Contemporary Art Foundation / State government / Australia Council / Sharjah Art Foundation / Casula Powerhouse Arts Centre / /
Person
Tintin Wulia / Charles Merewether / Isabel Aquilizan / Khaled Sabsabi Pedro de Almeida / Hoor Al-Qasimi / Sheika Hoor Al-Qasimi / Almeida There / Sherman Contemporary / Alfredo / Sydney Sabsabi / Khaled Sabsabi / Yuko Hasegawa / Sadegh Hedayat / Ana Torfs / Marwan Rechmaoui / Colin McCahon / Angelica Mesiti / /
Position
chief curator / John Player / hyped artist / project manager and associate curator / author / curatorial assistant / artist / President and Director / writer / great modern painter / curator / /
Everything and nothing Khaled Sabsabi Pedro de Almeida There are few Australian artists who have displayed such convincing evidence of undergoing a profound and genuine process of artistic, personal and spiritual maturat