New York / Princeton / Berlin / Belfast / Los Angeles / Amsterdam / Vienna / Reading / /
Company
Sonic / New Music / International Computer Music / /
Continent
North America / Europe / /
Country
Germany / Croatia / Northern Ireland / Austria / /
Event
Person Communication and Meetings / /
Facility
Villa Aurora / Bard College / Santa Monica Museum of Art / State University of New York / Brooklyn College / California Institute / /
IndustryTerm
by-product / music technologies / /
Organization
Bard College / New York / Arnold Schönberg Center / MIT / Columbia UP / Harvard / Brooklyn College / Harvard UP / Indiana UP / State University of New York at Buffalo / California Institute of the Arts / Valencia / Sonic Arts Research Centre / /
Person
Gilles Deleuze / Theodor Adorno / Francesco Gagliardi / Noise / Ross Russell / Pierre Schaeffer / Gösta Neuwirth / Richard Wagner / Susan H. Gillespie / John Cage / Barnett Newman / Peter Ablinger Hören hören / Peter Abliner / G. Douglas Barrett / Piano / Michel Chion / Gerhard Richter / Chico Mello / Eduard Hanslick / Jean-Jacques Nattiez / Antoni Tàpies / Claudia Gorbman / Napoleon / Roman Haubenstock-Ramati / Barclay Brown / Peter Ablinger / Vladimir Jankelevitch / Katja Blomberg / Eric Prieto / Lawrance Kramer / Robert Ranke-Graves / Félix Guattari / Arnold Schoenberg / Luigi Russolo / Carolyn Abbate / Suzanne M. Lodato / Susan McClary / David F. Urrows / Thomas Edison / / /
Position
composer / Musician and writer / performance artist / player / engineer / artist / painter / hunter / Writer / fitted player / futurist painter / artist and composer / musician / /
ProvinceOrState
New Jersey / Minnesota / Indiana / New York / California / /
Between Noise and Language: The Sound Installations and Music of Peter Ablinger G. Douglas Barrett I am not a musician by profession and therefore, I have no acoustical prejudices, nor works to defend. I am a futurist pa