CONDITIONS OF USE As a service to the scholarly community, the MHRA is making the latest edition of the Style Guide (3) available for download free of charge as an Adobe® Acrobat® PDF file. Please note that the text of

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• Visual arts
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• MHRA Style Guide
• Modern Humanities Research Association
• Citation
• Style guide
• Quotation mark
• Academic publishing
• Punctuation
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THE PUBLIC HUMANITIES In seeking to think once again about the present condition of the humanities I looked over the publications of the predecessor conference held in 1968 on The Future of the Modern Humanities, a confe

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• Academia
• Humanities in the United States
• Public humanities
• Academic discipline
• Science policy
• Research
• Social science
• Library and information science
• Digital humanities
• Humanities
• Education
• Knowledge

JOSEPH CONRAD’S POLYGLOT WORDPLAY To a teacher of languages there comes a time when the world is but a place of many words and man appears a mere talking animal not much more wonderful than a parrot. (Under Western Eye

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• Languages of Cameroon
• Languages of Mauritius
• Languages of Seychelles
• Languages of Vanuatu
• Joseph Conrad
• Lord Jim
• Nostromo
• Patusan
• Conrad
• Languages of Africa
• Culture
• Languages of Malaysia

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67 ‘La transgression ne m’intéresse pas, pour le dire brutalement’: Michel Houellebecq, critic of transgression RUSSELL WILLIAMS, UNIVERSITY OF LONDON INSTITUTE IN PARIS

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• Prix Interallié winners
• French literature
• Social philosophy
• Michel Houellebecq
• Frank Wynne
• The Map and the Territory
• Georges Bataille
• Transgressive art
• Atomised
• French people
• Literature
• Philosophy of sexuality

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45 Surrealist Cross-Pollinations and Confrontations of Image and Text in Paul Éluard and Max Ernst’s Les Malheurs des immortels LAUREN VAN ARSDALL, UNIVERSITY OF CALIFORNIA, LOS ANGELES

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• Arts
• Surrealism
• Paul Éluard
• Max Ernst
• Collage
• Tristan Tzara
• Surrealist techniques
• André Breton
• Gala Dalí
• Modern art
• Visual arts
• Dada

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9 Text, Artefact and the Creative Process: ‘The Sad, Bewildered Quills’ of Guido Cavalcanti DAVID BOWE, BALLIOL COLLEGE, UNIVERSITY OF OXFORD

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• Guido Cavalcanti
• Italian poetry
• Mikhail Bakhtin
• La Vita Nuova
• Cavalcanti
• Sonnet
• Imagism
• Dolce Stil Novo
• Literature
• Poetry
• Dante Alighieri