Barcelona / MoMA PS1 / New York / Paris / Oxford / Düsseldorf / Manchester / Chatou / Halle für Kunst / Cambridge / Wirtschaftswunder West / Los Angeles / Toronto / Miami / London / Hamburg / Chicago / /
Company
MIT Press / BBC news / YouTube / McGraw-Hill / Oxford University Press / ICA / Channel 4 Analogue Broadcasting Hardware / MTV / Blockbuster / /
Continent
Europe / /
Country
United States / United Kingdom / /
Currency
USD / /
Event
Business Partnership / /
Facility
Matt’s Gallery / Los Angeles County Museum / Institute of Contemporary Arts / Hayward Gallery / University of Chicago Press / Gallery Shana Moulton’s / David Hall / Hollywood cinema / Museum of Modern Art / Cinema Journal / Gimpel Fils gallery / Los Angeles Museum of Contemporary Art / Hall of Mirrors / Museum of Contemporary Art / Power Plant / /
MIT / Institute of Contemporary Arts in London / University of Chicago Press / Oxford University / /
Person
Simon Denny / Steven Shaviro / Richard Grusin / Shana Moulton / Nam June Paik / Ville de Paris / See Alexandra Keller / Chris Burden / Marshall McLuhan / Günther Uecker / Nathaniel Mellors / Matthew Barney / Tut / Peter Weibel / Phil Collins / Benjamin H.D. Buchloh / Christine Mehring / Gerhard Richter / Jay David Bolter / Joan Braderman / Sean Cubitt / Matt Williams / Frazer Ward / Bruno Latour / Raymond Williams / Richard Baker / Lizzie Fitch / Marina Abramović / Skippy / David Bolter / John Caughie / David Joselit / Ludwig Wien / Vito Acconci / Like Moulton / Konrad Adenauer / Jean-Paul Sartre / Jay David / Ryan Trecartin / Alexandra Keller / /
Position
scientist / engineer / King / artist / curator / /
Televisual Objects: Props, Relics and Prosthetics Maeve Connolly Published in Afterall 33, summer 2013: Opening in early April 2012 at the Institute of Contemporary Arts in London, the exhibition ‘Remote Control