Houndsmills / Ann Arbor / Madrid / Basingstoke Hampshire / Leipzig / Paris / Oxford / Tokyo / Hildesheim / Wiesbaden / Colorado Springs / Florence / Orlando / Syracuse / Vereeniging / New York / Sydney / Victoria / Firenze / Rome / Stuttgart / Melbourne / Fayetteville / London / /
Company
Cambridge University Press / Yale University Press / Clarendon Press / Willem Elders / Early Music / Matthew C. Steel / Princeton University Press / Walnut Grove Press / UMI Research Press / Guido Persoons / Macmillan / Maxwell Macmillan International / Dorsey / Colorado College Music Press / Cherie C. Hall Music / Syracuse University Press / English Music / Medieval Music / Editing Early Music / Enharmonic Music / Tudor Music / Renaissance Music / Roelof Lagas / Garland Publishing Inc. / Renaissance Choral Music / /
Country
Switzerland / Netherlands / Thailand / France / Japan / Canada / Australia / Liberia / United Kingdom / China / India / Germany / Italy / Malaysia / Russia / Singapore / Luxembourg / /
Event
Business Partnership / /
Facility
University of Illinois / Columbia University / Cypriot-French Repertory / Garland Reference Library / University of Michigan / University of North Texas / Florence’s Cathedral / University of Rochester / Washington University / Catholic University of America / College Music Symposium / Michigan State University / State University of New York / American Institute of Musicology / California State University / The University of Oklahoma / In The Cypriot-French Repertory / College Music Press Translations / Yale University / /
IndustryTerm
reference tools / online indexes / /
MarketIndex
Music Article Guide / /
Organization
Cambridge University / Columbia University / University of North Texas / California State University / Fullerton / Colorado College / Plainsong and Mediaeval Music Society / University of Michigan / Princeton University / Royal Musical Association / American Institute of Musicology / University of Rochester / Eastman School of Music / State University of New York at Buffalo / Washington University / University of Oklahoma / Michigan State University / Friedrich-Wilhelms-Universität / Mit / Catholic University of America / American Musicological Society / Yale University / Congress / University of Illinois / Centre d'Études Supérieures / Syracuse University / /
Person
Edward Lowinsky / Urusla Günther / Margaret Bent / Bernhard Meier / Annie Coeurdevey / George Buelow / Enriquez de Valderrábano / Gunnar Georg / Carmelo P. Comberiati / Luanne Eris / Scott David / Karel Ph / Adrian le Roy / Claude V. Palisca / Henry John / Joseph Mulready / Ursula Günther / Clement A. Miller / Tess Knighton / Georg Olms / Claudio Merulo / Marc Antonio Ingegneri / Bonnie J. Blackburn / Charles Warren / Ludwig Finscher / Matteo Coferati / Franz Steiner Verlag / Jeffrey Dean / Roland de Lassus / Nicholas Gombert / Sam Brian / Thomas David / Johannes Ockeghem / Karol Berger / Jean-Michel Vaccaro / Peter Bergquist / Mary Laurent / Valentin Koerner / René Bernard Lenaerts / Lucy Elton / Robert O. Gjerdingen / Edith Weber / F. Joseph Smith / Alain Naigeon / Edward E. Lowinsky / Arnold / Stanley Sadie / David Fallows / Nicolas Gombert / Vincent Arlettaz / Edward E. Lowinskys / Annibale Gianuario / Jessie Ann Owens / Albert de Rippe / Diego Pisador / Shifting Concepts / Nella Gianuario / Elizabeth Eva Leach / Miguel Fuenllana / Harold Powers / Adrian Willaert / /
Position
same author / Fisher / Gary / Lire composer / /
ProvinceOrState
New York / Michigan / Oklahoma / Arizona / Colorado / New Jersey / Illinois / Victoria / Bayern / /
PublishedMedium
Journal of the American Musicological Society / The Music Article Guide / The Music Review / The Journal of Musicology / /
Cherie C. Hall Music[removed]Musica ficta Musica ficta is the product of the medieval and renaissance practice of altering notes a semi-tone above or below the notation in the manuscript. Musica ficta, or “false mu