Seattle / Boston / New York / Berlin / New York City / Brussels / /
Company
Mark Morris Dance Group / Philadelphia Inquirer / Station Hill Press / /
Continent
North America / /
Country
Belgium / United States / China / Spain / /
Event
Person Communication and Meetings / /
Facility
Boston University / Brooklyn headquarters / /
Holiday
Christmas / /
Organization
Brooklyn Academy of Music / San Francisco Ballet / Dutch National Ballet / Balkan Dance Ensemble / UC Berkeley / Royal Ballet / Dance Heritage Coalition / Boston Ballet / Pacific Northwest Ballet / Houston Ballet / English National Ballet / Boston University / New Zealand Ballet / /
Person
Elizabeth Zimmer / Alastair Macaulay / Arlene Croce / Peter Sellars / William Blake / Jeffrey Escoffier / Isadora Duncan / Doris Humphrey / George Balanchine / John Milton / T. Jones / Meg Stuart / Mikhail Baryshnikov / Maurice Béjart / Matthew Lore / Arnie Zane / Gerard Mortier / Eliot Feld / Hannah Kahn / Ruth St. Denis / Isaac Mizrahi / Mark Morris / Laura Dean / Wendy Lesser / Nixon / Dido / Verla Flowers / Joan Acocella / Lar Lubovitch / / /
Position
average near-anorexic bun-head / Director of Dance / young choreographer / freelance dance artist / experimental theater director / dancer / flamenco dancer / teacher / cellist / ballet dancer / director of the Théâtre Royale de / designer / choreographer / professional dancer and choreographer / chauffeur / /
ProvinceOrState
Washington / /
PublishedMedium
The New Yorker / Dance Magazine / the Philadelphia Inquirer / The Village Voice / /
Mark Morrisby Elizabeth Zimmer In 1981, when he started showing work in New York City, choreographer Mark Morris was widely regarded as the enfant terrible of American contemporary dance. Thirty