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Art movements / Modern art / Judy Garland / Films / Vincente Minnelli / Neo-Victorian / Ziegfeld Follies / Decadence / Arthur Freed / Cinema of the United States / Arts / Aesthetics


“Somehow this crazy world has taken on a wonderful design”: Vincente Minnelli’s Neo-Victorian Utopias in Hollywood Kate J. Hext (University of Exeter, England, UK)
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Document Date: 2014-12-02 11:50:50


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City

New York / Rio / Paris / London / Chicago / /

Company

Ronald Firbank / Impressionist / Aestheticism / Donaldson / Metro Goldwyn Mayer / /

Continent

America / /

Country

Italy / United Kingdom / /

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Oscar / /

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Movie Release / /

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University of Exeter / Radio City Music Hall / Irene Castle / /

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set 5135 / /

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Spellbound / A Matter of Time / The Story of Vernon and Irene Castle / Scarface / An American in Paris / Ziegfeld Follies / Hello / Dolly! / Gone With the Wind / Madame Bovary / Gigi / Oliver! / Lust for Life / Yankee Doodle Dandy / On A Clear Day You Can See Forever / The Pirate / /

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Beverly Hills / /

Organization

Decadent Movement in Britain / University of Exeter / /

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Robert Stam / George Bernard Shaw / Mark Llewellyn / Guy de Maupassant / Louisa Hadley / Ann Heilmann / Richard Dyer / Marshall Field / Arthur Freed / Judy Garland / James Naremore / Fred Astaire / Vincent Van Gogh / Vincente Minnelli / Lucille Bremer / Pandro S. Berman / Wallace Smith / Ginger Rogers / John Gardiner / Henry James / Ben Hecht / Dianne F. Sadoff / David Gerstner / Van Nest Polgase / Complementing Astaire / Scarface / James Whistler / Kate J. Hext / David Weir / Sarah Waters / Théophile Gautier / Aubrey Beardsley / /

Position

illustrator and set designer / chief costume designer / neo-Victorian artist / producer / costume designer / director for Hollywood / artist / aspiring painter / director / set designer and aspiring artist / aforementioned neo-Decadent novelist / century Hollywood film director and artist / mid-twentieth century Hollywood film director and artist / /

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Ohio / /

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Katz / Radio City / Fred / /

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Caribbean / /

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the heritage / /

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