New York / Paris / St. Petersburg / London / Middletown / /
Company
Columbia University Press / Yale University Press / Barnes & Noble / Wesleyan University Press/University Press / José Limón / PROFILES SELECTED PUBLICATIONS / Bloomsbury Group / Oxford University Press / Wesleyan University Press / Dancing Times / Xerox / New York Times / Amazon.com / Century Dance Lynn Garafola Wesleyan University Press / New Art / /
Continent
Europe / /
Country
Ecuador / France / United States / United Kingdom / /
Event
Person Travel / /
Facility
Barnard College / New York Public Library / Winter Palace / Lincoln Center / British Library / Conservatory of Music / City Center / Library of Congress / /
Columbia University / Dance Division / Romantic Ballet / Getty Center for the History of Art and the Humanities / New York City Ballet / Wesleyan University / Cullman Center for Scholars and Writers / Joffrey Ballet / Yale University / Conservatory of Music / Congress / Barnard College / American Academy of Arts and Sciences / Lincoln Center / Imperial School / New York Public Library’s Cullman Center / Oxford University / Endowment for the Humanities Fellowship / New-York Historical Society / John Simon Guggenheim Foundation / /
Person
Alastair Macaulay / Daria Rose Foner / Valentin Serov / Vaslav / Kurt Weill / George Balanchine / Mikhail Baryshnikov / Marius Petipa / Leon Bakst / Ronald Meyer Lynn Garafola / Richard Taruskin / Michel Fokine / José Limón / Nicholas Roerich / Carolyn Heilbrun / Eric Foner / Jean Cocteau / Serge Diaghilev / Natalia Makarova / Bronislava Nijinska / Vera Fokina / Igor Stravinsky / Memoir / Rudolf Nureyev / Lynn Garafola / André Levinson / /
Position
Dance Historian / editor / historian / editor and translator / teacher / professor of dance / choreographer / legendary dancer / future historian / curator / legendary dancer of the Ballets Russes / /
Michel Fokine and Vera Fokina in Fokine’s Schéhérazade. As Garafola writes in Diaghilev’s Ballets Russes, “Schéhérazade, the seraglio tale that thrilled Paris in 1910, was pure orientalist fantasy” (page 13).