Pemulen / New Delhi / Boston / New York / Paris / Washington / DC / Los Angeles / Reading / London / /
Company
Tate Britain / National Gallery of Art / /
Country
France / /
Event
Business Partnership / /
Facility
University of Delaware / Getty Conservation Institute / National Gallery of Art / /
IndustryTerm
earlier paint formulations / Acrylic paint basics / applied cleaning solutions / paint manufacturers / paint application / dried acrylic paint film / liquid paint / acrylic emulsion paint films / bulk paint film / aqueous systems / paint / oil / physical and chemical properties / acrylic paint / acrylic paint films / paint swelling / bulk paint films / paint film / paint film dries / paint surface / industrial applications / paint films / test solutions / paint sample / paint systems / dried paint surface / paint film components / swollen paint / dry cleaning systems / Aqueous and mineral spirit solvent systems / concentrated stock solutions / /
Organization
ICOM Committee for Conservation / Western Association / Warrendale / University of Delaware / Getty Conservation Institute / Heritage Lottery Fund / /
Person
Nicholas Dorman / Tom Learner / Jeremy Moon / Alexander Liberman / Richard Wolber / Paul Whitmore / Stefan Zumbuehl / Rebecca Ploeger / M. Anthony Tse / Jaap Boon / Bronwyn Ormsby / John Hoyland / Nicholas Serota / Bernard Cohen / Greg Smith / Andy Warhol / Chris Stavroudis / Richard Wolbers / Y. Sue Chang / /
Position
scientist / artist / Professor / director / off-guard / /
Product
sodium chloride / Nikon D40 Digital Camera / L-3 / /
Conference Review The Cleaning of Acrylic Paint Surfaces 3 London workshop Background I should start this review with a disclaimer that it is thoroughly disconcerting to write anything whatsoever about a subject