THE PERCEPTION, EVALUATION AND CREATIVE APPLICATION OF HIGH ORDER AMBISONICS IN CONTEMPORARY MUSIC PRACTICE Ircam Composer in Research Report 2012 Natasha Barrett Composer [removed] - Microphone practice - Document - PDFSEARCH.IO

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	THE PERCEPTION, EVALUATION AND CREATIVE APPLICATION OF HIGH ORDER AMBISONICS IN CONTEMPORARY MUSIC PRACTICE Ircam Composer in Research Report 2012 Natasha Barrett Composer [removed] Add to Reading List Document Date: 2012-12-14 06:27:10 Open Document File Size: 195,96 KB Share Result on Facebook City Tokyo / Berlin / Oslo / / Company AES / Intel / / Country Germany / Japan / United Kingdom / / / Facility Centre Pompidou / IRCAM’s Studio / Centre Pompidou foyer / / IndustryTerm metal / spatialisation tools / non-commercial software solutions / multi-media experience / mixed decoding solutions / energy preserving / energy / / Organization Norwegian Cultural Council / MIT / IRCAM / Centre Pompidou / Norwegian Composers’ Fund / / Person Thibaut Carpentier / Gilles Durot / Markus Noisternig / Olivier Warusfel / Jorge Luis Borges / Natasha Barrett Composer / / Position Composer in Research Report / / Technology pdf / / URL http / SocialTag Information science Ambisonics Ambisonic decoding Wave field synthesis Stereophonic sound Quadraphonic sound Soundfield microphone Loudspeaker 3D audio effect Surround sound

THE PERCEPTION, EVALUATION AND CREATIVE APPLICATION OF HIGH ORDER AMBISONICS IN CONTEMPORARY MUSIC PRACTICE Ircam Composer in Research Report 2012 Natasha Barrett Composer [removed]Add to Reading List