Geneva / Il Ngwesi / Nairobi / Washington / DC / Washington / Durham / /
Company
World Intellectual Property Organisation / Wilson / /
Country
Switzerland / Netherlands / Kenya / United States / Tanzania / /
Event
Person Travel / Person Communication and Meetings / Natural Disaster / /
Facility
WIPO headquarters / Il Ngwesi Lodge / American Folklife Center / Duke University / US National Library / Library of Congress / /
Holiday
New Year's Day / /
IndustryTerm
digital technology / web-based resources / cultural technologies / security systems / indigenous community-based / online library / media professionals / food insecurity / audio and imaging challenges / digital media technologies / /
Movie
Milking the Rhino / /
Organization
WIPO’s Intergovernmental Committee on Traditional Knowledge / Genetic Resources and Traditional Cultural Expressions/ Folklore / Maasai / Lewa Wildlife Conservancy / Maasai Cultural Heritage / US Copyright Office / AFC’s Advisory Board / Duke University / Congress / U.S. Congress / American Folklife Center / United Nations / Maasai Cultural Heritage Foundation / International Labour Organisation / Duke University’s Center for Documentary Studies in Durham / /
Person
Ann Sintoyia Tome / David Taylor / Kiprop Lagat / John Ole Tingoi / Ann Sintoyia / Shankar Folklife / Peggy Bulger / Ann Tome / Wend Wendland / Ian Craig / Camus / Tom Rankin / Guha Shankar / Rankin / /
Position
principal author / documentary photographer and a member / CDS director / proprietor / producer / anthropologist and curator / noted conservationist / author / Director / anthropologist / Photographer / Director of the Traditional Knowledge Division / member / /
Product
Canon HV20 Camcorder / /
ProgrammingLanguage
DC / /
ProvinceOrState
Laikipia / Washington / North Carolina / /
Region
East Africa / central Kenya / /
SportsEvent
the heritage / /
Technology
digital technology / html / http / digital media technologies / least / digital technology / cultural technologies / /
From subject to producer: reframing the indigenous heritage through cultural documentation training From subject to producer: reframing the indigenous heritage through cultural documentation training