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User interface techniques / Virtual reality / JSyn / Java platform / Formant / Max Neuhaus / Gesture / User interface / Synthesizer / Music / Computing / Sound


The Architecture of Auracle: a Real-Time, Distributed, Collaborative Instrument C. Ramakrishnan Jason Freeman
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Document Date: 2007-10-17 08:15:14


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Chichester / Cambridge / Reading / /

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Pretence-Hall Inc. / Addison-Wesley Publishing Company / Networked Computer Music / Neural Networks / MIT Press / Computer Music / Chris Brown’s Eternal Network Music / Designing Interactive Systems / Antares Audio Technologies / CCM/Eternal Network Music / Reusable Object-Oriented Software / /

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Stuttgart Germany Columbia University / Brain Opera / Dodge Hall / /

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interactive voice response systems / musical systems / music systems / Internet protocol stack / distributed music applications / analysis processing / bank / /

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Microsoft Windows / /

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Columbia University / Brain Opera / MIT / Acoustical Society of America / Toy Symphony / Tod Machover’s Brain Opera / US Federal Reserve / Arizona State Univ. / /

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Max Neuhaus / Homer Dudley / Alvaro Barbosa / David Birchfield / Pattern / Klaus Scherer / Tod Machover / Phil Burk / Jason Freeman Kristjan Varnik Akademie / /

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technologist / Observer / /

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Java / JSyn / /

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New Jersey / New York / Massachusetts / /

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Leonardo Music Journal / Computer Music / /

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RAM / IP / machine learning / html / neural network / Java / client/server / DSP / interactive voice response / GUI / /

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