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![]() Date: 2006-12-19 11:53:23Musical tuning Musical scales Acoustics Mental processes Perception Consonance and dissonance Harmony Harmonic series Octatonic scale Music Sound Waves | Add to Reading List |
![]() | PDF DocumentDocID: 18Dv3 - View Document |
![]() | Octatonic pitch structure and motivic organization in George Walker's Canvas for wind ensemble, voices, and chorus.DocID: 15exN - View Document |
![]() | Microsoft Word - 02_Temperley_final030608.docDocID: 14xUe - View Document |
![]() | CHORD PROFILE #2 (PSYCHO) By William Wrobel The following is the second of a series of chord profiles (chord frequency analysis) of Bernard Herrmann scores. See Chord Profile #1 (Jason & the Argonauts) forDocID: 11gYQ - View Document |
![]() | Half-Diminished Seventh: The Bernard Herrmann Chord BY WILLIAM WROBEL If there is a harmonic flavoring that Bernard Herrmann most preferred overall in his musical diet or oeuvre (especially later in his career), it wouldDocID: 10XE4 - View Document |