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UbuWeb Papers How We Came Into Performance: A Personal AccountingJerome Rothenberg By sometime in the 1970s it had become clear to me that poetry, as we in my generation knew and practiced it, had either discover
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Document Date: 2010-10-13 23:49:06


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San Francisco / Cologne / Amsterdam / Toronto / London / New York / Paris / Stockholm / /

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Something Else Press / /

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Poland / /

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arch Dadaist / /

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primitive devices / computerized and digitalized technologies / /

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The Four Horsemen / /

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The Fugs / /

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Center for Theater Science and Research / Judson Church / /

Person

Alison Knowles / Richard Foreman / Anne Waldman / Charlie Morrow / Bob Dylan / Dick Higgins / Dick Higggins / Ernst Jandl / Jayne Cortez / Patti Smith / Amiri Baraka / Judson Dance / Dada Strain / Julien Blaine / Bertram Turetzky / Steve Reich / Klaus Schöning / Paul Blackburn / John Giorno / Robert Kelly / Charles Amirkhanian / Joseph Chaikin / Luke Theodore Morrison / John Cage / Edmond Jabès / Tristan Tzara / Tom Waits / Armand Schwerner / Allen Ginsberg / Sten Hanson / Bob Cobbing / Robert Ashley / Gerhard Rühm / Bernard Heidsieck / Philip Corner / Julian Beck / Henri Chopin / Emmett Williams / Pauline Oliveros / Richard Kostelanetz / Franco Beltrammetti / Rochelle Owens / Steven Clay / Carolee Schneemann / Judith Malina / Allan Kaprow / Jim Carroll / Michael McClure / Jackson Mac Low / /

Position

Fluxus composer / composer / artist / singer / poet / poet and sometime musician / musician / /

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New York / /

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Westdeutscher Rundfunk / /

TVStation

Westdeutscher Rundfunk / /

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computerized and digitalized technologies / /

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