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Cultural studies / Australian Aboriginal art / Art history / John Myatt / Art forgery / Art theft / Australian art / John Drewe / Art dealer / Cultural economics / Visual arts / Arts in Australia


WHO WINS AND WHO LOSES WHEN ART IS STOLEN OR FORGED? Professor Ken Polk Department of Criminology, University of Melbourne, Vic
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Document Date: 2009-06-04 14:36:34


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York / Hobart / Perth / Brisbane / Broome / Gold Coast / Sydney / Canberra / Victoria / London / Adelaide / /

Company

The Guardian / /

Continent

North America / Europe / /

Country

Netherlands / Australia / United Kingdom / /

Currency

USD / /

Event

Person Communication and Meetings / /

Facility

Tate Gallery / Albert Museum / Conservation Centre / Australian Institute of Criminology / National Gallery of Victoria / University of Melbourne / Ian Potter Museum / Manly Art Gallery / Melbourne University / /

IndustryTerm

insurance trade / informal networks / laboratory equipment / /

MusicGroup

Van Gogh / /

NaturalFeature

Island Aboriginal / /

Organization

University of Melbourne / Queensland Police / Australian Institute of Criminology / Hermannsburg School / Melbourne University / Institute for Contemporary Art / Conservation Centre / Professor Ken Polk Department of Criminology / /

Person

Ken Polk / McCubbin / van Meegeren / John Drewe / Lauraine Diggins / Braque / Giacometti / Pro Hart / Chagall / Clifford Possum / Nolan / Albert Tucker / Van Gogh / C. Alder / Klee / Gloria Petyarre / Matisse / Streeton / Grace Cossington-Smith / Will Blundell / John Myatt / Arthur Boyd / /

Position

collector / Magistrate / major Melbourne art dealer / artist / painter / complicitous dealer / art dealer / dealer / artist / established commercial dealer / dealer / offshore artist / local painter / /

ProvinceOrState

Queensland / Hawaii / New Mexico / California / /

PublishedMedium

Private Eye / The Guardian / /

RadioStation

WWII / /

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