Victoria / Melbourne / Milan / London / of Modern Art / /
Company
The Baldessin Press / Financial Review Magazine / George Baldessin / /
Continent
Europe / /
Country
Italy / Australia / /
Currency
USD / / /
Event
Person Communication and Meetings / Person Travel / /
Facility
Manningham Gallery / Assemble Heide Museum of Modern Art Bookings / Heide Museum of Modern Art / Royal Melbourne Institute of Technology / Café Vue Heide / Art Gallery / The Baldessin Studio / Tasmania Museum / Museum of Modern Art / National Gallery of Victoria / Art Gallery of South Australia / Queensland Art Gallery / Museum Opening Hours Tuesday-Sunday 10am-5pm / Art Gallery of Western Australia / National Gallery of Australia / European New Wave cinema / Art Gallery of New South Wales / Melbourne’s Argus Gallery / /
IndustryTerm
intaglio printing / end media / /
Organization
Royal Melbourne Institute of Technology / Chelsea School of Art / Brera Academy / /
Person
Linda Short / Jan Senbergs / Les Kossatz / Tess Baldessin / Marino Marini / Tess Edwards Baldessin / KATRINA STRICKLAND / Mary Magdalene / Roger Kemp / Fred Williams / / /
Position
painter / sculptor / editor / Communications Coordinator / 2pm Curator / modernist sculptor / part-time lecturer / Communications Manager / author of Affairs / painter / sculptor and printmaker / artist / director / MEDIA RELEASE The artist / Chair / artist / widow / Curator / /
ProvinceOrState
Western Australia / New York / Victoria / South Australia / New South Wales / Northern Territory / /
Region
South Australia / South Wales / Western Australia / /
MEDIA RELEASE BEING HUMAN: THE GRAPHIC WORK OF GEORGE BALDESSIN In a short but intensive career as a painter, sculptor and printmaker, George Baldessin attracted critical acclaim from peers and audiences alike, admired