Bernstein / CREATIVE COMMONS MUSIC / RECORDED MUSIC / NEW DIGITAL TECHNOLOGIES / Universal Music Group / eLabs / Fox Film Corp. / CREATIVE COMMONS / /
Continent
Europe / /
Country
France / United States / United Kingdom / /
Facility
University Carbondale April / /
IndustryTerm
networked computing / digital technology / large media corporations / printing press / computer technologies / free software / file-sharing networks / copyright law / reproduction technologies / online sources / communications platform / free software licenses / media studies / Web communities / music production software / representative trade / technology regulations / media makers / digital music technologies / Internet users / public policy tool / post-Web analysis / /
Organization
Department of Mass Communications & Media Arts / US government / English government / Recording Industry Association of America / Congress / Graduate School / US Supreme Court / Southern Illinois University / UN Court / /
Person
Jim Griffin / Paul Miller / Adam Porter / Rio Caraeff / Anne / /
Position
head of digital strategy / Queen / mathematician / author / king / representative / /
ProvinceOrState
Illinois / /
Region
Southern Illinois / /
Technology
reproduction technologies / peer-to-peer / computer technologies / p2p / digital technology / digital music technologies / file sharing / simulation / /
MAKING A CASE FOR SHARING: AN ANALYSIS OF MUSIC COPYRIGHT, NEW TECHNOLOGIES, AND HOW CREATIVE COMMONS AND NETLABELS ARE FACILITATING A FREE MUSIC CULTURE ON THE WEB by Adam Porter