Ostrava / Dublin / Santa Fe / San Francisco / Houston / Chihuahua / New York / Washington / DC / Philadelphia / Pittsburgh / Asylum / Los Angeles / Toronto / Middletown / /
Company
The New York Times / Cold Blue Music / New Music / The Philadelphia Inquirer / FLUX / /
Continent
America / Europe / /
Country
Mexico / United States / Ireland / / /
EntertainmentAwardEvent
the Santa Fe Chamber Music Festival / /
Facility
NYC College of William / CA The Music Gallery / NM Mattress Factory / Bard College / TX Wesleyan University / College of William / Lincoln Center / Paula Cooper Gallery / NYC Princeton University / FLUX Quartet’s Moving Museum / NM Alice Tully Hall / NYC Walker Art Center / SPECIAL PROGRAMS The FLUX Quartet Moving Museum / NYC Walt Disney Hall / NY Park Avenue Armory / Carnegie’s Zankel Hall / / /
MusicAlbum
Santa Fe Chamber Music Festival / /
NaturalFeature
Oliver Lake / /
Organization
NJ Judson Church / NYC Kennedy Center / Bard College / College of William and Mary / Princeton University / Wesleyan University / MeetThe-Composer Foundation / FLUX Quartet / Art Center / Aaron Copland Fund / Art Center / Minneapolis / Kennedy Center / Earle Brown’s String Quartet / Lincoln Center / Center for New Music / Morton Feldman’s String Quartet / Classes The FLUX / /
Person
Vivien Schweitzer / Alex Ross / Earle Brown / John Cage Centennial / Ornette Coleman / Judy Dunaway / Oliver Lake / Roscoe Mitchell / Giacinto Scelsi / Meryl Streep / Yo-Yo Ma / Felix Fan / Henry Threadgill / John Zorn / Pam Tanowitz / Gyorgy Ligeti / Max Mandel / Kyle Gann / Walter Reade / David Patrick Stearns / Tiny Tim / Conrad Harris / Conlon Nancarrow / Morton Feldman / Shen Wei / Samuel Beckett / Tom Chiu / Steve Smith / Christopher Wheeldon / Matthew Welch / Peter Robles / / /
Position
composer / violinist / cellist / founder / /
Product
Superb / /
PublishedMedium
The New Yorker / New York Times / The New York Times / The Philadelphia Inquirer / Philadelphia Inquirer / /
flux quartet “...an intrepid ensemble devoted to illuminating the pricklier corners of the contemporary repertory...” Steve Smith, The New York Times