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362![ORIGINAL ARTICLE Communicating Relative Risk Changes with Baseline Risk: Presentation Format and Numeracy Matter Nicolai Bodemer, PhD, Bjo¨rn Meder, PhD, and Gerd Gigerenzer, PhD ORIGINAL ARTICLE Communicating Relative Risk Changes with Baseline Risk: Presentation Format and Numeracy Matter Nicolai Bodemer, PhD, Bjo¨rn Meder, PhD, and Gerd Gigerenzer, PhD](https://www.pdfsearch.io/img/700d7a929041eca77ddb2b5abc4481eb.jpg) | Add to Reading ListSource URL: 141.14.165.6Language: English - Date: 2014-06-13 17:13:36
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363![Levels of Reality in the Ontology of Nicolai Hartmann Levels of Reality in the Ontology of Nicolai Hartmann](https://www.pdfsearch.io/img/af8b0c102259c57d33cc3ad897092ca7.jpg) | Add to Reading ListSource URL: www.ontologyasia.comLanguage: English - Date: 2013-12-06 06:41:20
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364![Levels of Reality in the Ontology of Nicolai Hartmann Levels of Reality in the Ontology of Nicolai Hartmann](https://www.pdfsearch.io/img/d67b86c6aa9f71ed91dada0bad526748.jpg) | Add to Reading ListSource URL: www.ontologysa.comLanguage: English - Date: 2013-12-06 06:53:36
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365![LEVELS Roberto Poli It is plain that the problem of the levels or layers of a work of art is an important part of any theory of the aesthetic object. In other words, what I wish to state clearly from the outset is that o LEVELS Roberto Poli It is plain that the problem of the levels or layers of a work of art is an important part of any theory of the aesthetic object. In other words, what I wish to state clearly from the outset is that o](https://www.pdfsearch.io/img/cee1b3ae2d02792720d4216e2c247292.jpg) | Add to Reading ListSource URL: www.ontologymirror.comLanguage: English - Date: 2013-12-29 04:16:47
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366![LEVELS Roberto Poli It is plain that the problem of the levels or layers of a work of art is an important part of any theory of the aesthetic object. In other words, what I wish to state clearly from the outset is that o LEVELS Roberto Poli It is plain that the problem of the levels or layers of a work of art is an important part of any theory of the aesthetic object. In other words, what I wish to state clearly from the outset is that o](https://www.pdfsearch.io/img/bbc7c6c919badef3a2fca64b8091fc56.jpg) | Add to Reading ListSource URL: www.ontologysa.comLanguage: English - Date: 2013-05-04 01:19:00
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367![Microsoft Word - GettingGeist.doc Microsoft Word - GettingGeist.doc](https://www.pdfsearch.io/img/0804fe52504ca91984e22c40c7f1b315.jpg) | Add to Reading ListSource URL: www.unige.chLanguage: English - Date: 2005-08-12 19:01:27
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368![Microsoft Word - e-collection_german_121812 Microsoft Word - e-collection_german_121812](https://www.pdfsearch.io/img/842d96248d237ce9852e091ddd5057e6.jpg) | Add to Reading ListSource URL: www.pdcnet.orgLanguage: English - Date: 2013-11-20 13:10:11
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369![Nicolai Josuttis SOA in der Praxis System-Design für verteilte Geschäftsprozesse
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370![LEVELS Roberto Poli It is plain that the problem of the levels or layers of a work of art is an important part of any theory of the aesthetic object. In other words, what I wish to state clearly from the outset is that o LEVELS Roberto Poli It is plain that the problem of the levels or layers of a work of art is an important part of any theory of the aesthetic object. In other words, what I wish to state clearly from the outset is that o](https://www.pdfsearch.io/img/f89627ce070576088e1499731b43f1cb.jpg) | Add to Reading ListSource URL: www.ontologyasia.comLanguage: English - Date: 2013-05-01 04:22:32
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