In the beginning was el cante—the song. ¶ The song was its own instrument. Its notes, rhythms, and timbres were carried by the currents of the Mediterranean and El Río Betis, today’s Guadalquivir, the routes follow

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Andalusian music Flamenco Spanish music Spanish folk music Cante flamenco Concurso de Cante Jondo Antonio Mairena Cante jondo Rumba flamenca Federico Garca Lorca Nio Ricardo Juana la Macarrona		In the beginning was el cante—the song. ¶ The song was its own instrument. Its notes, rhythms, and timbres were carried by the currents of the Mediterranean and El Río Betis, today’s Guadalquivir, the routes follow Add to Reading List Source URL: www.elpalacio.org Download Document from Source Website File Size: 1,08 MB Share Document on Facebook

	In the beginning was el cante—the song. ¶ The song was its own instrument. Its notes, rhythms, and timbres were carried by the currents of the Mediterranean and El Río Betis, today’s Guadalquivir, the routes follow DocID: 1oEmA - View Document
	“Se permite fotografiar” José Lebrero Stals Texto del comisario de la exposición Prohibido el cante. Flamenco y fotografía Ya sea como realidad social o como expresión musical, el flamenco siempre ha interesado a DocID: 1bpAy - View Document
	NOTA DE PRENSA - Exposición PROHIBIDO EL CANTE. FLAMENCO Y FOTOGRAFIA Exposición: PROHIBIDO EL CANTE. FLAMENCO Y FOTOGRAFIA DocID: 1b61N - View Document
	Aficionado -- an enthusiastic follower, fan or knowledgeable observer of flamenco. The word also means an amateur participant. Afillá -- a type of flamenco voice which is hoarse and earthy. Aire -- a description of the DocID: 1aR2I - View Document
	MEDIA CONTACT: Lisa CarnevaleHigh resolution images available FOR IMMEDIATE RELEASE February 2, 2015 DocID: 19V6z - View Document